observing ritual motion and uniformity ---- location thinking, open green space?
think about symmetry and scale, how can you convey the symmetry and robotic nature of a cult through ritual motion?
- Perhaps try to clone yourself in the film?
- cast multiple models?
ritual motion/uniformity
Hargalaten is a Swedish folk tale where a fiddler tricked an entire village to dance until they die. A combination of sinister and movement that pagan cults embodied as well.
- emphasize the violence behind this story in the transition movements
incorporate sinister elements of cults in movement, don't just do symmetrical uniform motion but choreograph movement that is more violent and odd to acknowledge the odd and sinister nature of cults
arms outstretched (praying?) recurring pose in cult research, incorporate in transitionary movements in film - transition from this to more violent motion